1) Tell a story and let the thread of the narrative flow through the
entire letter.
2) Use the question and answer
approach, with each question involving a “yes” answer.
3)
Keep your paragraphs short. Usually a block of print more than four lines discourages
the eye from moving on. Several long paragraphs in a row is deadly.
4)
Throw in a one-line paragraph for emphasis.
5)
Use the good old bucket brigade to hook the paragraphs together. Here’s a set of basic connectives.
You can probably think of many more.
But
Until
And
Why
Then
This
Yet
However
Here
Moreover
Another When
So
Nevertheless
Even
Meanwhile
If
Also
Therefore
A connective keeps your copy from getting passive and dull. And when a connective
is missing, that’s where a reader may drop out of the copy.
6)
Indent key phrases and quotations.
7)
Try underlining with a felt pen, highlighting key thoughts, so the letter can be scanned by following the underlining.
8) Use action verbs, active tense.
9) Stay away from overly redundant adverbs and don’t continually
further qualify helplessly sick adjectives with words ending in “ly.”
10) Keep your vocabulary at about an eighth grade level.
11) Don’t use words people can’t
easily pronounce. That blocks the flow of the letter.
12)
And don’t moralize. That also blocks the flow.
13)
Try using trigger words that have special meaning to your particular mailing list. And sprinkle
those key words throughout the copy.
14) Use
simple sentence constructions. (Thank you, Robert Louis Stevenson, for the warning: “It
takes hard writing to make easy reading.”)
15) Try putting the reader into the letter: “Picture
yourself lying in the street waiting for the ambulance to arrive.”
16)
Don’t let the copy wander, just because you have extra space. Search for more exciting material.
17) Stay with your purpose. If your goal is to
balance the budget, don’t shift to planned giving.
18) Try
using a deadline, and build a case for action before the deadline expires.
19)
Experiment with longhand marginal notes, maybe in red ink.
20)
Read your copy aloud, and when you stumble, smooth out the language.
21)
And, most important of all, write about a flesh and blood person -- not an idea or a program.